Ich.The self as political issue
The self as political issue The traditional self-portrait is now a thing of the past. The customary features of a classic self-portrait are for the most part lacking entirely. The face has now come under suspicion. The exhibition catalogue “ME” presents a comprehensive overview of the iconoclastic processes to which the genre of the self-portrait is subject today, along with relevant subversive techniques in art, including humor, irony, decentralization, fragmentation, blindness, and obstruction. However—or perhaps precisely for that reason—the artist-subject has remained a leitmotif in contemporary art, although it is no longer associated exclusively with the image of the artist. The subject is a constantly changing phenomenon and thus difficult to grasp in a portrait.